Priya is a young girl in southern India who is one of millions of modern day slaves, working in the garment industry. Priya is trapped in a world that tells her she is worth nothing more than to be a slave. But when a teacher believes in her, she discovers something powerful, herself.
This film is being used in a year-long curriculum in over 400 villages with over 10,000 young girls in Tamil Nadu, India to help end modern day slavery.
news.trust.org/item/20180816064342-on23m/
Directed by Lindsay Branham and Andrew Ellis
Executive Produced by The Freedom Fund
A NOVO Film
Screenplay by Lindsay Branham and Andrew Ellis
Story Consultants
Padmavathi
Abdul Jaleel
Rajeesh Mani
Story based on
Over 60 interviews with bonded laborers in Tamil Nadu, India
Directed by Joe Greco
Adapted from the short story by T.C. Boyle.
Awarded Best Cinematography - 2012 LA Movie Awards
Awarded 2011 Alfred P. Sloan Production Grant
Awarded 2011-2012 Thomas William Gidro-Frank Film Production Award
Official Selection - 2012 Connecticut Film Festival , CT
Official Selection - 2012 New Hampshire Film Festival
Official Selection - 2012 San Jose Film Festival
Official Selection - 2012 Brantford Film Festival
Official Selection - 2012 Silicon Valley Film Festival
Official Selection - 2013 National Film Festival For Talented Youth
Official Selection - 2013 Rincon International Film Festival
Award Finalist - 2013 USA Film Festival
Official Selection - 2013 Brooklyn Film Festival
Official Selection - 2013 SouthSide Film Festival
Fight Hate with Love is a feature length documentary about one man's fight to change the world while struggling to change himself.
READ ABOUT THE BACKSTORY HERE
https://medium.com/vantage/fight-hate-with-love-ad1cdb41bbb4#.n5jh8xyr7
Production Company: MediaStorm
Role : Director, Cinematographer
Written by Michael Koehler and Ryan Patch
Directed by Ryan Patch
Selected as "Short of the Week" 9/5/2014 - shortoftheweek.com/2014/09/05/the-offering/
WINNER Best Director, Best Cinematography, RoHo Film Fest
Official selections, Palm Springs Shortfest 2014, NY Shorts Fest 2014
As the U.S. prepares for the final drawdown of soldiers from the conflicts in Iraq and Afghanistan, Soledad O’Brien and MediaStorm take an intimate look at two veterans as they struggle with the transition from war to home.
Production Company : MediaStorm & Starfish Media Group
Role : Co Director of Photography with Rick Gershon
A New York Times Documentary
Producer: Emma Cott
Original Score: Aled Roberts
Directed by
Nadira Dossa
Jonathan Olinger
Featuring
Alicia Keys
Shawnda Chapman Brown and Jamaica
Leyla Martinez
Sarah Zarba
Topeka K. Sam
Executive Producers
Allie Hoffman
Jessica Jackson Sloan
In January of 2011, I set out to make a short film which could shed light on our country’s job crisis through the story of an ex-convict searching for a job. I was introduced to Pedro through a friend who worked as a fatherhood counselor for ex-convicts in Harlem. Pedro was 49, looking for a job in construction, and willing to share his story with me. With multiple assaults, drug offenses, and two homicides on his record, it wasn’t likely that the outcome of my film was going to be positive, but I knew beneath his hardships his charisma and heart would reach people.
We met for the first time on a snowy day in Harlem. Sitting face to face in a Jamaican restaurant on 125th street, Pedro pointed a chicken wing at me and repeated, “God will hold your hand, but the devil is waiting for you to fall”. This was the first time I’d heard his mantra, and I thought he was talking about his job search.
We became friends over the following weeks through long walks and boxing lessons. In that time he didn’t make it to one job interview given all the complications of transferring medicaid, welfare, and job transcripts from his halfway house to his three quarter house. I wasn’t sure what aspect of his story I could actually convey on film until the day we took a trip to where he grew up, the projects of Hoboken. It was there that I met Tony, his twenty one year old son. I did the math on the back of my PATH train ticket home to realize that Pedro had only been out of jail for four years of Tony’s entire life. It hit me that while this man was in need of a job, his desire to become a father to his son was far more important to both of us.
Over the following months I filmed them box, Tony feeling grateful for the time with his father, Pedro feeling excited that his son might become a professional boxer. All the while I spent time with each of them individually, digging up repressed memories in their relationship, and hitting walls where certain memories had been permanently blocked out. Pedro was severely abused as a child, and raised by the streets. Tony’s father was never there, and also raised by the streets. Coming from a home with two loving parents I proceeded into this foreign territory with caution and sympathy.
Tony became a father during the course of shooting and the training sessions ceased. They stopped spending as much time together, and Pedro refocused on getting a job. This film is a window into a brief moment in their lives in which a new chapter in fatherhood began. Since the completion of the film I connected Pedro with a former prison chaplain who counsels at a church near his home in Harlem. He is still jobless but is on good terms with his son. Tony still lives in Hoboken and his baby girl is nearly six months old.