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      <image:title>These Rhythmic Seasons - These Rhythmic Seasons, by Carolyn and Andrew Ellis</image:title>
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    <lastmod>2017-04-24</lastmod>
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      <image:caption>What is more important in life, passion or responsibility? Michael Thomasson must decide. Role: Director of Photography, Interviews, Field Producer Production Company: MediaStorm</image:caption>
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      <image:caption>What is more important in life, passion or responsibility? Michael Thomasson must decide. Role: Director of Photography, Interviews, Field Producer Production Company: MediaStorm</image:caption>
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    <lastmod>2016-03-12</lastmod>
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    <lastmod>2016-06-28</lastmod>
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    <lastmod>2017-03-01</lastmod>
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      <image:title>Sony - Sony - Reimagine the Holidays</image:title>
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      <image:title>Directing Reel - Andrew Ellis 2017 Director Reel</image:title>
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      <image:title>Directing Reel - Andrew Ellis 2017 Director Reel</image:title>
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      <image:title>OLD - Seeking Asylum in Germany, and Finding Hatred | Times Documentary</image:title>
      <image:caption>New York Times Documentary Escaping violence in Libya, Abode struggles to belong in a German town that has become a flashpoint of anti-immigrant anger. PRODUCED BY AINARA TIEFENTHÄLER EDITED BY SHANE O’NEILL</image:caption>
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      <image:title>OLD - How an Alt-Right Leader Used a Lie to Climb the Ranks | Times Documentaries</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/524dda46e4b002faf30a0e53/1531552014973-8GHSF9YS0REW7UDYJ7PD/image-asset.jpeg</image:loc>
      <image:title>OLD - Four Phrases by Justin Peck</image:title>
      <image:caption>Produced for the New York Times Magazine, New York City Ballet Resident Choreographer, Justin Peck, performs four phrases inspired from his ballets. The film was created alongside the an article by Sasha Weiss, which can be found here. nytimes.com/2018/05/10/magazine/justin-peck-is-making-ballet-that-speaks-to-our-everyday-lives.html Director and Cinematographer - Andrew Michael Ellis Assistant Camera - Cory Maffucci Lighting Design - Garrett Doermann Sound Recording and Mixing - Barbaros Ali Kaynak "The Shadows Will Fall Behind" (Demo), Music and Performance by Sufjan Stevens Producer - Amy Kellner for The New York Times Magazine</image:caption>
    </image:image>
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      <image:title>OLD - Call Me Priya</image:title>
      <image:caption>Priya is a young girl in southern India who is one of millions of modern day slaves, working in the garment industry. Priya is trapped in a world that tells her she is worth nothing more than to be a slave. But when a teacher believes in her, she discovers something powerful, herself. This film is being used in a year-long curriculum in over 400 villages with over 10,000 young girls in Tamil Nadu, India to help end modern day slavery. news.trust.org/item/20180816064342-on23m/ Directed by Lindsay Branham and Andrew Ellis Executive Produced by The Freedom Fund A NOVO Film Screenplay by Lindsay Branham and Andrew Ellis Story Consultants Padmavathi Abdul Jaleel Rajeesh Mani Story based on Over 60 interviews with bonded laborers in Tamil Nadu, India Produced by Lindsay Branham Director of Photography Andrew Michael Ellis Location Sound Jonathan Seale Field Producer Jacob Blumberg Line Producer - Murugandendem, Bala Murugan, Abdul Jaleel Associate Producer - Murugaperiyar Munisamy Original Score - Jonathan Seale Edited by - Joanna Naugle Sound Design - Ryan Pribyl Cast K. Suganya M. Prabavathi Muthuselvan Danoosh V. Chanti Dhivya V. Kandasamy Aadhi Siva Murugeshan Murugandendem Rajeesh Mani Sundari Veerlakshmi Nagamani K. Kalpana Chitra M. Vimala R. Gayathri Nandini Special thanks to the communities in Tamil Nadu, India that made this film possible. Please go to freedomfund.org/ to see how you can support the end of modern day slavery.</image:caption>
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      <image:title>OLD - Ani Wa Sa</image:title>
      <image:caption>Ani Wa Sa is set in DR Congo’s Garamba National Park which is globally recognized as ground zero in Africa’s poaching wars. Fewer than 1,200 elephants remain. Two brothers who come from a line of central African Zande hunters, seek to protect their local forest from seemingly opposing avenues: one through family tradition and the other as part of a national park ranger team. Though their relationship has fractured, an advancing rebel group seeking to poach and traffick elephant ivory poses a mutual threat and the brothers may need each other to protect the people and wildlife of their homeland for generations to come. Ani Wa Sa is being used in an innovative on-the-ground mobile cinema initiative to help build bridges of trust and collaboration between central African communities, conservation actors, and humanitarians, in an effort to improve the safety and build the resilience of people and wildlife in this fragile and interdependent ecosystem. As of March 31, 2020, Invisible Children has screened Ani Wa Sa in 67 communities in northeastern DRC and eastern Central African Republic (CAR), reaching 27,450 people. Go here to learn more: invisiblechildren.com/program/mobile-cinema/ This project is part of the USAID-funded Community Resilience in Central Africa (CRCA) Activity, an Invisible Children project made possible by the support of the American people. Directed by Lindsay Branham and Andrew Michael Ellis Edited by Ben Stamper</image:caption>
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      <image:title>OLD - Life After Water</image:title>
      <image:caption>Small family farmers like Jesus Ramos are in trouble. And when the farmers are in trouble, the country is in trouble. Role: Director + Cinematographer + Editor Production Company : MediaStorm</image:caption>
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